Tag Archive: commentary


Interacial Relationships in Frankenstein

The_Monster_plays_with_little_Maria

Isaac Gallegos

Although race’s biological validity has been disproven by the scientific community, and has more accurately been identified as a product of human society, it would be ignorant to not recognize the great impact race has on our lives. Race and it’s influence is visible in all aspects in society, including literature. The critical race perspective (CRT) can give the reader an insightful perspective on how/why race is represented in literature. In Mary Shelley’s Frankenstein, we can come to understand why the Creature (as an inhabitant of the boderland (Anzaldúa)) is determined on proving his “truth of the tale” with supplemental letter of Safie (a Muslim Arab migrant).

 

Warren Montag’s essay, “The Workshop pf Filthy Creation’: A Marxist Reading of Frankenstein”, Montage establishes multiple arguments as to what the creature symbolizes, however, he ultimately writes that he is  “not so much the sign of the proletariat as of its unrepresentability” (480). This statement can be inferred, meaning that the creature represents not the proletariat, but he represents the fact that proletariat cannot be understood, especially when you consider the extreme social economic differences that elevated the likes of Mary Shelley, and oppressed the working class. This further draws emphasis to the inhumane differences of socioeconomic classes, as well as a further disdain for capitalism.

The position of unrepresented proletariat is first inferred when the writer established the hierarchy between Victor Frankenstein and his creation. Victor says, “A new species would bless me as its creator and source; many happy and excellent natures would owe their being to me” (57). As Frankenstein solely created the creature for his sole benefit, so did the industrial revolution with the creation of the working class. And the tone of innocence that is present within the quote, with words such as ‘bless’, ‘happy’, and ‘excellent’ could perpetuate the naivety that people hold to the idea of “progress”.

As the story continues, the conflict between Victor and the creature intensifies. The creature says, “I expected this reception, … All men hate the wretched; how, then, must I be hated, who am miserable beyond all living things! Yet you, my creator, detest and spurn me, thy creature, to whom thou art bound by ties only dissoluble by the annihilation of one of us”(92). The monster, through his sharp and dramatic word choice helps project an image of injustice: his creator subjects him to terrible punishments. And in context of Marxism, this analysis of creator/creation can be neatly applied to the relationship between the bourgeoisie and the proletariat. And through careful analysis, there is some sort of foreshadowing in the quote, with “… to whom thou art bound by ties only dissoluble by the annihilation of one of us”. Equality can only be achievable through the destruction of the will of the proletariat, or the destruction of the bourgeoisie.

-Isaac Gallegos Rharry potter frankenstein

By Isaac Gallegos Rodriguez

Mary Shelley’s gothic novel, “Frankenstein”, and it’s overall impact on our society and it’s culture is extraordinary. This is further supported by the that the majority of us are at least acquainted with the Frankenstein myth. The name “Frankenstein” conjures up images of a mad scientist, pseudoscience, and of course the monster itself. However, it is a significantly different experience reading the novel as opposed to solely relying on the myth.

Frank.The reason for this is that the myth of Frankenstein creates an inaccurate representation of the characters and their moral standings. For example, I had the preconceived notion that Victor Frankenstein was our stories protagonist, while the monster was the antagonist. In simpler words, I had believed that Victor Frankenstein was our story’s “good guy”— it was thought that although he could be described as a reckless character, his ingenuity and his good intentions would’ve been his redeeming factors. However, as we read the novel, Victor Frankenstein’s character wasn’t  improved – it was damaged.  For instance, when Victor undertook the task to reanimate dead matter he said “Life and death appeared to me ideal bounds, which I should first break through, and pour a torrent of light into our dark world.” This quote helped illustrate how Victor viewed himself, as a powerful creator, yet he is only a human. As the story progresses, we come to understand that this god complex is Victor’s hamartia. This lapse in moral judgement ultimately created pain and suffering, but at the expense of others— and because of Victor’s god complex and his irresponsible decisions, his image is ultimately damaged.  Consequentially, as we start to depend on the actual novel instead of the Frankenstein myth  and it’s preconceptions, a noticeable change can be seen with the monster’s character. The former myth that we had been prescribed to had dictated that the monster had been the villain of the story; this preconception is greatly challenged as we start to see that the monster is a very complex and relatable character. Throughout the story, the monster becomes less of fiend and more so a victim of prejudice and discrimination. Even the monster recognizes this injustice, saying “I am thy creature; I ought to be thy Adam; but I am rather a fallen angel, whom thou drivest from joy for no misdeed”. The monster has a valid claim to Victor’s affection, however Victor Frankenstein continues to deny him this until the very end.

 

Therefore, after reading Mary Shelley’s novel, “Frankenstein”, our aforementioned preconceptions on the myth of Frankenstein are greatly challenged.  In this case, we see a dramatic shift in character relations and moral standings. The true victim in this tale was the monster, because as Percy Shelley wrote, “his original goodness was gradually turned into the fuel of an inextinguishable misanthropy and revenge”, due to the actions of the tale’s true monster — Victor Frankenstein.