Zakharieva starts his essay with a really interesting point about how Branagh’s film advertises itself as a production of the original novel, as being a “resurrection of the authentic Frankenstein”(416) and how in trying to mimic “the original artistic codes of the Romantics”, it actually parallels Victor’s attempt to mimic the “codes and mechanisms of Nature” to make the Creature. I could definitely see this attempt to stick to the novel’s storyline and it mostly does, with a few deviances, until we get to the end where it COMPLETELY and with no warning, swerves off track with the making of the female monster. Zakharieva discusses this scene but he doesn’t comment on how out of the blue it is, considering how relatively closely the movie was following the actual narrative. Why does Zakharieva talk of the attempted authenticity of the film but ignore the fact that it later consciously gives up being authentic? Was this deviation for theatricality, or for showing how one cannot truly copy something and that the result will always be an imperfect abomination, or did Helena Bonham Carter just want to try out a new look?