So in case we weren’t already convinced, Freud’s psychoanalytic theory proves it: Victor is messed up. Based on Freud’s writing, I might also venture to say, it takes one to know one. This is my interpretation for how it all went down:

According to Freud, the “double” may be an external projection of repressed infantile material, that “the quality of uncanniness can only come from the circumstance of the ‘double’ being a creation dating back to a very early mental stage” (426). Victor’s manic obsession with giving life to the monster is then the resurfacing of his repressed infantile psychic, primarily in the form of his castration anxiety. Unlike most boys following “normal” development, Victor never resolved his castration anxiety: he never overcame his affection for his mother, and consequently has remained fearful of his father castrating him for this unnatural attachment. This is evident in his dream, in which Elizabeth, the natural object of his affection, transfigures into “the corpse of my dead mother.” Victor then “started from [his] sleep with horror,” as if realizing he still possesses an attraction for his mother and her appearance in “a shroud” condemns this unnatural affection.

The image of the “dim and yellow light of the moon, as it forced its way through the window shutters” as the means of revealing what is uncanny to Victor (the monster=his double =his repressed castration anxiety) evokes Freud’s idea of the uncanny as the reappearance, the illumination of the familiar, but repressed aspects of infantile development. The uncanny appears in this scene as Victor’s double: the monster. As his double, the monster is then the embodiment of Victor’s castration anxiety. Not coincidentally, the first thing Victor describes is the monster’s eyes, how “his eyes, if eyes they may be called, were fixed on me.” According to Freud, “that anxiety about one’s eyes, the fear of going blind, is often enough a substitute for the dread of being castrated” (424). Further, the monster appears with “one hand outstretched, seemingly to detain me,” a physical position which represents the penis Victor is afraid of losing. In Victor’s case, the uncanny is the resurfacing of his earlier psychic stages in the form of the double he has created, an unconscious effort to resolve his castration anxiety which actually, to his horror, illuminates it and perpetuates its torment of him. For example, when Victor later refuses to give the monster a mate, he prolongs his unresolved castration anxiety by refusing then to resolve the monster’s anxiety (manifested in his desire for a mate, which would confirm his possession of a penis).