Victor, in his dream, is confronted with both the love (though strange) he felt from and for his own mother (read: creator), and the complete lack of love he has for his own creation. The creature highlights a strange twist in the parent-child relationship of Victor with his mother, and of Victor with his creature.

His parents, specifically his mother, raised him lovingly by his own account, as a child “whose future lot it was in their hands to direct to happiness or misery,” (42). This contrasts heavily with Victor’s own “parenting” of the creature, which he seemingly directs straight toward misery. Freud says that the double can represent “unfulfilled but possible futures to which we still like to cling in phantasy, ” (426). Victor’s fantasy seems to be that he can be a creator (like his idolized mother). “For this” he says, “I had deprived myself of rest and health” (60); this deprivation of personal care is not unlike what a mother does for a newborn. He is the newborn his mother had loved; yet when he himself creates a “newborn,” he is repulsed by it. The creature is the double of the child in this case, of the innocent, yet Victor cannot do what his mother had done.

Not only does Victor fail to identify “correctly” with his father, according to Freud’s model of the Oedipal cycle, he cannot even identify incorrectly with his mother. In the dream he does not find peace with his earlier identification as a Creator like his mother. This does not fit him either. He calls the creature “the miserable monster whom [he] had has created” and “the demonical corpse to which [he] had given life” (61). This is the passage that depicts everything Victor has strived for going wrong. In trying to be a creator, he has seen the failure of his own potential, the death of his own self-image.

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