The Creature is an infant in the guise of a full-grown man. Like an infant, he undergoes rapid intellectual and linguistic development; but unlike an infant, the process is distorted and changed — a fitting effect of his ignominious birth. In psychoanalytic terms, infants go through what French psychoanalyst Lacan called the  “mirror stage,” in which children between 6 and 18 months old first recognize the image in a mirror as themselves, a representative of their own coherence. Before the Father’s No (either from a true father figure or society at large) brings them crashing into the world of the Symbolic like Icarus falling into the sea, the child lives in the Imaginary, a world where it is perfect being that exists in that mirror. Once the child moves into the symbolic, it realizes it is not the imago in the mirror and spends its life trying to become that imago once more–such is the mechanism that gives us drive and desire.

The Creature is born and abandoned, left without a father figure to give him this “No.” Normally, society would step in to place limits that aid human development, but Frankenstein is ostracized for the first months of his life — living in the woods, he never experiences those limits that will eventually lead to him realizing the image in the mirror is his imago. Without these, when he observes the De Lacey’s , he observes the first people he’s met since becoming 6 months old.  Normal infants do not place other people as their imago because they are constantly exposed to society since birth; but the Creature’s isolation causes his mind to make the De Lacey’s his imago, describing them as “perfect forms” with admirable “grace, beauty, and delicate complexions” (pg. 104). When he looks in the pool, he sees his reflection but does not identify it as his imago, stating that he was “unable to believe that it was indeed I who was reflected in the mirror” (pg. 104). After an internal struggle of conflicting mirror images (the De Lacey’s and his own monstrous reflection), he realizes that he can never become the imago he first identified with. Left with nothing but his reflection–an image he identifies as his actual self–the Creature becomes trapped in a permanent state of the Imaginary. To live in the Imaginary is to un-repress thoughts and feelings that should be kept buried. To unbind the Id is to become psychotic; the Creature loses his mind and his postive, imago-seeking drive, killing without mercy because he knows and accepts that he is everything he will ever be.

He is the monster in the water.