The death of William in Frankenstein rightfully sparked the search for his killer, and a long-time servant of the Frankenstein’s house, Justine, was convicted of the murder under a conglomeration of circumstantial evidence. Of course the reader and Frankenstein know that Justine is guilty of no such crime, however the attempt for others in the house and community to establish justice leads to her downfall. The task at hand is to examine the execution of Justine through the framework and lens of radicals such as Mary Wollstonecraft. In the words of Wollstonecraft, the execution of  Justine, who herself was “extremely pretty,” ( Frankenstein pg. 68) the embodiment of beauty, was necessary “to render men more virtuous, and to banish all enervating modifications of beauty from civil society.” (Wollstonecraft pg. 48) Justine “appeared calm, and her countenance, always  engaging, was rendered, by the solemnity of her feelings exquisitely beautiful. Yet she appeared confident in innocence..” (Frankenstein pg. 79) Ernest, Victor’s brother, even expresses his unbelief that such an amicable girl would be capable of such an atrocious crime. The community’s attempt at justice was an honorable reach for righteousness. Justine’s conviction was the perfect example of the community’s attempt to separate what Wollstonecraft would argue they “reasoned” to be true, Justine’s guilt, from her “beautiful” appearance, something that had the potential to cloud their judgement. (Wollstonecraft pg.47)

Justine’s execution is ironic, however, in that she was convicted in her innocence. William’s locket was found on her person, and her inability to reasonably explain her possession of the locket led to her conviction. If we are to make Justine’s death analogous to what Wollstonecraft says is a “respect of the naked dignity of virtue” (Wollstonecraft pg.  49) or an attempt to make society just, should not the conviction have been just in itself? I present the idea that Justine’s execution does not accurately depict the virtue that Wollstonecraft so passionately defends. Throughout the scenario, I never see justice present itself. The first wrong: William’s murder. The second wrong: Justine’s conviction. The third wrong: Justine’s execution. Along the bridge between William’s murder and the execution of Justine lies a longing for righteousness, a desired explanation and vengeance for his downfall. However, I would argue that the sole desire for these things does not ensure justice. Only when vengeance is rightfully achieved will justice prevail. In lam en’s terms, “two wrong’s do not make right” nor is Wollstonecraft’s “virtue” achieved by the wrongful “removal of beauty”, or Justine, from “civil society”.(Wollstonecraft pg.48)